The Globe reports the director of the campus museum considers it a good thing the statue has provoked discussion, even if some of that discussion consists of just how "troubling" sleepwalking man is.
Paul Matisse's Charlestown Bells, removed from the Charles River Dam in June for repairs, are slated to be put back in place on Sunday, starting at 9 a.m.
The Friends of the Charlestown Bells expect the work to take a few hours - and say people who want to help out but who don't feel mechanically inclined can bring sandwiches.
Our own Swirlygrrl reports workers took down the Dewey Square mural by Os Gemeos and began putting up its replacement - some black and white seascapey thing.
We did not set out to explore Harbor Arts' Shipyard Gallery in East Boston today. We just wanted some Australian meat pies.
Over the weekend, volunteers dismantled the Charlestown Bells - the colorful series of bells across the Charles River Damn that once let you ring out across the river but which had fallen into disrepair in recent years. They were taken to a studio in Groton, where, over the summer, they'll be restored to working order. J.J. Gilmartin, who took the photos in this post, explains:
Carolyn Lewenberg's The Head is currently sprouting in front of the Boston Latin School parking lot - literally. Those bag things on its head contain grass seed, which this morning showed signs of sprouting - and of needing a good soak.
Lewenberg describes the head's origins as an art project at Jeremiah Burke High School last year:
Terrorist mural on the front of the building across from the Federal Building. This is a disgrace and should be removed or painted over immediately. With marathon events last month, this is extremely offensive!!!
Local lad at Shaw's on Hyde Park Avenue has fun with fish heads.
Forty years ago, artist Dennis Kowal loaned the MBTA his "Constellations" statue for installation at the Hynes Green Line station.
Big Red & Shiny is coming back and is using Kickstarter to raise funds to create "a bigger and bolder Blog devoted to New England art & artists and a monthly web-based Journal with perceptive and incisive writing from around the globe." With art/music/dance in the South End on Sept. 29 and panel discussions on art writing and community at MIT on Oct. 27.
Natasha Vianna, who is Brazilian-American, says she was delighted to see a pair of Brazilian artists, Os Gemeos, come to Boston for a show at the ICA. She reports on meeting the two at a reception and feels compelled to address stupid people who think their mural on the Greenway is a terrorist plot to force Middle Eastern men on us or something:
Trying not to allow fumes from escaping my ears, I explained that this was inaccurate. Their characters usually have no race and like most art, it's up to you to see what you want to see. The skin of the characters are yellow because it is how they envision these characters in their dreams. Specifically in the Boston mural, the man's face is covered because it is a representation of how most street artists do their work, by covering their faces with an old shirt as to not inhale the fumes. ... In the '80s, the two identical brothers started as graffiti artists after embracing the New York culture of Hip Hop and street art. And without much money or the resources to even create street art, they used household and car paint for most of their creations.
Two Brazilian artists are transforming the plain brown side of that thing in the middle of the Greenway in Dewey Square into a mural - which will stay up until it gets to faded and ugly in the weather to stay up any longer.
The fantasist stirred up a bit of a hornet's nest with his not entirely factual "report" from the alleged Apple slaveshops of China. But the Phoenix's Carly Carioli reports he played a little fast and loose with the facts surrounding that performance at ART in 2007 when an entire class of students at a Christian school walked out.
Matthew Wilding reports stumbling onto an exhibit by six contemporary Egyptian artists (one of whom died in Tahrir Square) at the School of the Museum of Fine Arts.
I donâ€™t know whether this exhibit was "good art" (though it's affiliation with the MFA infers it). I do know that it was incredibly effective. It was interesting and beautiful, and it made me relate to the core with people I very rarely find common ground with or think about.