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On the Record: Berkman Bloggers

Here's my video from Thursday night's Berkman Bloggers meeting, which was also shot by a film crew from Nightline.


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Can I quote you?

If you live in Boston, Brookline, Cambridge and Somerville, you may see some familiar items in the City Weekly section in this Sunday's Globe - blog posts you might have seen linked  from here.

As an experiment, I'm now compiling a digest of some of the more interesting posts from bloggers in those communities for that part of the paper. Who knows, it could become a regular column, I think under the name "Blog Log."


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A Bulger finally gets what he deserves

That would be Billy, not the still missing Whitey. Carpundit is loving how a state appeals board cut his pension for his time as UMass president - you know, the one he argued should be based on his salary AND his driver's salary and his pension and his etc., etc.:

... It's a new day, Bulger. Your crime family no longer runs things; no one cares what you think about anything. Well, maybe one thing: where the hell is your mass-murdering brother?


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Best burger ever?

The Deluxe Town Diner in Watertown (627 Mt. Auburn St.) claims to have "the BEST BURGER EVER" - made, as it is, from an American version of Kobe beef. Matt puts the $11 burger to the test and reports that while the first bite is mouth nirvana, he finds the ultimate experience wanting:

... I must say, the beef doesn't have much trouble eliciting a first-bite reaction of "HOLY FUCKING SHIT, THIS IS THE BEST BURGER EVER". Unlike most diner hamburgers, the grind is rich and tender, and has a subtle and distinctive flavor all its own.

But then he makes the mistake of taking more bites (and don't even get him started on the cole slaw).

Via Lisa, who knows a thing or two about Watertown eateries.


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Caillou sucks

Deb writes:

I hate Caillou with the fury of 1000 overtired babies.

No, come on, Deb, is that cartoon about the whiny bald kid really that bad?

Hell, I'd turn Barney on before Caillou.


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Did we really need to hear that?

Lucky viewers of Channel 5 last night got to listen (several times) to Heidi Bruschi's 911 call after husband Tedy suffered his stroke. The station oh-so-helpfully provided a running transcript just in case you couldn't make out all the words.

Scott is disgusted:

WCVB completely crossed the line tonight in airing Heidi Bruschi's call to 911 (other stations may have aired it as well, but I caught the audio on WCVB). No one - not even Bruschi's biggest fans - should want or should have that kind of access, and WCVB should be ashamed of itself

WBZ radio was airing part of the call this morning.

Meanwhile, in response to Jody's request, I've set up a Tedy Bruschi posts page, which uses our aggregator to link to the latest Bruschi posts from local bloggers. NOTE: Doesn't link to LiveJournal (or most Blogspot) users, who seem to be posting up a storm on Bruschi, so for the whole picture, you'll also want to check this Bruschi links page on Technorati.


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The Somerville Gates

Sure, Central Park (you know, down past the South Shore somewhere) has The Gates by Christo. But don't hop on the Acela just yet. Hargo has given the ouevre a local millieu in The Somerville Gates.

Via Bob Congdon.


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On camera

Many local bloggers gather every Thursday at Harvard Law School's Berkman Center for weekly chats (and dinner). Tonight, a video crew from "Nightline" showed up, as the bloggers discussed on- and off-the-record discussions in the post-Eason Jordan world. Lisa reports:

... The sound guy had this enormous specialty criss-crossing harness, which held two rackmounted…things….with many blinkenlightzen, and of course, like an audio shepherd, he had his staff, topped at the crook with a boom microphone. The whole staff could be shortened with a flick of his wrist. The camera guy had a Betacam, which he held in the crook of his arm like a guitar. I'm sure it weighed a ton, but he held it like it weighed about the same as a paperback you'd pick up at the airport. A handsome man and a handsome woman, the producers, were also there, standing in a doorway. ...

David adds:

... It's a bizarre experience. The big Sony camera gets swung around to point at the person speaking, changing everything. It's attention made physical.

I'm worried because the conversation keeps talking about the question in terms of the tiny handful of bloggers who view themselves as doing some type of journalism. That's how the mainstream media already tends to view us. I hate to see us reinforce that. ...

Shimon was not happy:

The only logical conclusion that a crew from ABC Nightline can draw from yesterday's Berkman Blog Meeting is that bloggers are a bunch of screaming monkeys jockeying among themselves to produce a statement so quotable it will be on television.

That is the spectacle we experienced last night, when a record number of people converged on the Baker House conference room to discuss issue of blogging and on/off the record. It was an interesting topic, but seeing this many people demonstrate their overarching desire to get their mug on television was just... depressing. ...


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West Side Story----my alltime favorite movie:

West Side story is a beautiful movie/musical, which, even more than 4 decades later, is still very current, in that, although it's fiction, deals with many things that take place in REAL life, even today: racial/ethnic tensions and urban gang warfare, as well as people crossing racial/ethni/religion/color lines and falling in love, dating, and marrying, sometimes amid much conflict, and other times not.

I first heard the music to WSS back in the summer before I entered the sixth grade, back in 1962, when I attended day camp out west. A girl in our group had just received a copy of the LP soundtrack of the original Broadway Stage production of WSS, which she brought to camp and played it for the rest of the group. I fell in love with the music instantly. I first saw the film version of West Side Story around Christmastime of 1968, as a senior in high school in a big movie theatre, shortly before it went on TV, and fell in love with this great classic instantly. Four years later, when it came on TV, I was in an evening jewelry-making class, and somebodoy in the class had brought in a small TV because WSS was on that night. We all gathered around to watch it, and had fun. That summer, I went on a six-week trip to Europe, and somebody in the group I was with had brought along a cassette tape of the WEst Side Story movie soundtrack, which was played almost every single night. My love for this great film was immediately reawakened and reinforced. Shortly after I got home from Europe, I said to my dad over dinner "Gee, I wish the movie West Side Story would come back." "You never forgot it, huh?" my father asked. "No." I replied.
That fall, around Thanksgiving time, it came back on TV, so I skipped my evening class and stayed home and watched it. I've been hooked on this great classic since.

In early October of 2001, I had the great, good fortune, courtesy of some friends of mine down in NYC to see a special 40th-year anniversary screening of West Side Story at NYC's Radio City Music Hall. Since WSS is my alltime favorite movie, I drove down to the Big Apple specially to see it. What a Saturday night out that was! Radio City Music Hall was packed with an exuberant, friendly crowd(close to 6, 0000 people total), and there was much finger-snapping and applause from the audience. The screening featured a newly reprinted, cleaned up, and remastered version of this old, original classic. Restored to its former color and glory and shown on the great, big wide screen, the film West Side Story seemed to take on a magical, almost-three-dimensional quality to it. The scenery seemed more expansive--one could see all of it, the fabulous Bernstein musical score more intense and exuberant, and the richly-colored costumes and photography even brighter and furthur accentuated. The various characters, from the romancing Tony and Maria, to Krupke, Doc, and Lt. Schrank, to the warring Jets and Sharks, seemed to move much more freely and fluidly, and in a wider, more open space. George Chakiris and Rita Moreno were wonderful as the fiery Bernardo, and his equally fiery girlfriend, Anita--great dancers, too. Russ Tamblyn was wonderful as the exuberant, funny and acrobatic Riff (I loved those flips he did into the air during the Dance at the Gym scene), David Winters equally great as the somewhat ferretish but loyal buddy to Baby-John, who was played beautifully by Eliot Feld, and Tony Mordente was also fabulous as the hot-tempered instigator, Action. Tucker Smith was great as the calm, cool and collected and handsom-looking Ice, while Velma, Graziella and Anybodys were fabulous in their own ways, also. Simon Oakland was great as the cantankerous, bigoted Lt. Schrank, as was Ned Glass as Doc, and Bill Bramley as Ofcr. Krupke. Natalie Wood was OK as Maria, but Richard Beymer, unfortunately, played a rather weak, lacklustre Tony. Fortunately, however, Beymer's weak performance was more than offset by the wonderful performance of the other actors/actresses who were in this great film classic. Jerome Robbins fabulously choreographed dancing also enriched this great movie/musical, as did everything else.
Due to my intense love for the film West Side Story, I'm hard pressed to find one single favorite scene/song, or one favorite character, since I love them all. However, there were some who stood out as particularly strong pillars: Tucker Smith as the handsome, calm, cool and collected Ice, Russ Tamblyn as the acrobatic, exuberant Riff, Tony Mordente as the hot-tempered instigator Action, Simon Oakland as the cantankerous, rough-hewn and bigoted Lt. Schrank, George Chakiris as the fiery, sardonic Bernardo, the Shark leader, and Rita Moreno as Bernardo's equally fiery girlfriend, Anita. David Winters did fabulously as A-rab, and Eliot Feld equally great as the constantly fearful, not-yet-mature Baby-John. As far as the scenes are concerned, some particularly strong scenes/songs in the film West Side Story are: America, Dance at the Gym, Cool, the Jet song/Prologue, the pre-rumble Quintet, and, even the Rumble itself. Having said all of the above, I firmly believe that the fact that most of the actors/actresses in WSS had also played in the original Broadway Stage productions of WSS, plus Jerome Robbins insistance on greatness, as well as the great Bernstein musical score, costumes and photography all helped make this great film classic what it is.

As a devout fan of this film, I have attended virtually every screening of WSS here in the Boston area (the ONE exception being in March 2001, when a screening of WSS conflicted directly with my Dad's memorial, so I did not attend that particular screening) in addition to the big screening of it down in NYC, plus I've also seen at least three very good stage productions of WSS. Whether anyone is a devout fan of WSS like me who attends every screening of WSS she can, has seen it only on TV, video or DVD, or has never seen this film at all, *I* say, the next time that the film WEst Side Story comes to your area to a REAL movie theatre on a great, big wide screen, I say, jump at the opportunity. It's an enriching experience that you'll never, ever forget, and a wonderful alternative to much of what's been coming out today in the way of movies.

WEst Side Story is exciting on stage, and, although the movie version is enjoyable on TV, DVD or video, this great classic really belongs on the great big, wide screen, in a REAL movie theatre, with the lights down low. THAT's the ideal way to see this great classic.

Excuse my rambling, everybody--had to write my thoughts. Thanks for listening.


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A prayer for Tedy

Fiberdiva addresses God:

I'm sorry I don't talk to you as much as I should...

But I'm BEGGING you...

PLEASE help this poor man... he means alot to millions of people.. he's 31.. a father, a husband.. and one hell heck of a football player.

Please tell me Tedy Bruschi did NOT have a stroke.


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